Inclusive Learning Experience
Rationale
​This online learning experience has been created for year 7/8 students (but can easily be adapted for other age groups) and aligns with the Australian Visual Arts Curriculum, including Cross-Curriculum Priorities and General Capabilities: Ethical Understanding, Intercultural Understanding, Personal and Social Capability, Critical and Creative Thinking, Aboriginal and Torres Strait Islander Cultures and Sustainability (Australian Curriculum, Assessment and Reporting Authority, 2024). The Cross-Curriculum Priorities and General Capabilities are met by encouraging respectful engagement with First Nations cultures and perspectives, through reflective storytelling and connection to place, and by students making purposeful artistic choices to express meaning. The learning experience has been designed to be inclusive of students with various skills and needs, and in particular, to be inclusive of Aboriginal and Torres Strait Islander perspectives, pedagogy, and students. It has major underpinnings in both the 8 Ways Pedagogy and the Victoria State Government Education and Training’s High Impact Teaching Strategies [HITS], which overlap in many ways. The 8 Ways pedagogy reflects research-backed methods, such as the HITS, because traditional First Nations ways of learning are inherently wise, holistic, and grounded in deep understanding. It shows that Indigenous knowledge systems are not only valid, but highly effective models for teaching and learning.
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HITS 1 to 4, as well as the 8 Ways 'Learning Maps' way, which is about explicitly mapping and visualising processes and the 'Deconstruct/Reconstruct' way, which calls for Modelling and scaffolding (8 Ways Aboriginal Pedagogy, n.d.) are all included in the learning experience. This is through the use of clear learning goals, a planned way of assessing learning, worked examples (which are visual guides) and structured steps, which all assist in explicit teaching.
The learning experience also follows Fisher and Frey's 2008 framework of gradual release of responsibility which outlines four steps: “I do”, “we do”, “you do together” and, “you do alone” (Churchill, 2021). As there are sections of teacher instruction, teacher and student collaboration, peer collaboration and individual learning.
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Another inclusion of the 8 Ways is 'Land Links' way, which can be explained as place-based learning and linking content to local land and place (8 Ways Aboriginal Pedagogy, n.d.). Additionally, Yunkaporta (2009) states that "linking your lesson content to land is one way of maintaining cultural integrity". The 'Land Links' way was centred as a major aspect of this learning experience, by having students engage with nature by leaving the classroom, reminding them to be respectful of others and the environment, using natural elements in their artworks and by having them conceptually link their works to Country or place. The 'Land Links' way was centred in this learning experience to honour First Nations' ways of knowing that emphasise deep connections between learning, land, Country and place. It helps all students feel a stronger sense of relevance and belonging and maintains cultural integrity by respecting the role of Country as a teacher.
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Another major aspect purposefully centred during the design of this learning experience is the aspect of hands-on learning, also known as Kinaesthetic learning, Experiential learning or Applied learning. Hands-on learning is an evidence-based pedagogy that aligns with Constructivist views of learning and with the 8 Ways 'Non Verbal' way. Hands-on learning is learning by doing, learning through practical engagement. Having students leave the classroom, physically move around, and engage in making an artwork that requires intricate and repetitive hand movements are all examples of the hands-on learning this experience incorporates. This approach was intentionally included to support diverse learning styles and because many students, including First Nations students, thrive through kinesthetic, non-verbal learning methods. Hands-on, movement-based tasks reflect traditional ways of learning on Country, where knowledge is passed through observation, doing, and connection to place rather than written instruction alone.
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​The resource selected for this task incorporates the 'Community Links' way, which details centring local viewpoints (8 Ways Aboriginal Pedagogy, n.d.). As the resource aims to connect Students with First Nations teachers or to connect teachers/schools to their local First Nations community, an important step in making sure authentic First Nations perspectives are heard.
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Furthermore, elements throughout the experience have been designed to have verbal or written options for students. This is to allow students to choose (student agency) to share either verbally or in a written response to incorporate the 8 Ways of learning way 'Story Sharing', as well as providing an inclusive option for students who struggle with written responses and vice versa. 'Story Sharing' is also incorporated when students are asked to think about their connection to place or Country, by thinking of a memory or story that makes this connection for them.
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This Learning experience also aligns with the Australian Institute for Teaching and School Leadership [AITSL] Professional Standards, specifically Standard 1.3, 1.4 and 2.4, which call for respectful understanding and inclusion of Aboriginal and Torres Strait Islander histories, cultures, and perspectives in teaching (AITSL, n,d). It also reflects the goals of the Alice Springs (Mparntwe) Education Declaration, which emphasises the importance of all students gaining a deeper understanding of Aboriginal and Torres Strait Islander cultures as part of promoting equity, excellence, and reconciliation in education (Education Council, 2019).​​
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In conclusion, this learning experience has been intentionally designed to respectfully and authentically centre First Nations perspectives and ways of learning, support all students through inclusive practices, meet policy requirements and align with curriculum, in order to deliver meaningful and engaging visual arts education.
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Weaving Connections
AC9AVA8E01, AC9AVA8E02, AC9AVA8D01, AC9AVA8C01, AC9AVA8C02




Overveiw
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We will be learning about weaving, Aboriginal and Torres Strait Islander peoples' connection and history with weaving and​ making our own branch weavings.
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Learning Intentions
Students will...
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Learn about the cultural significance of weaving in Aboriginal and Torres Strait Islander traditions.
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Explore how colours and materials can express emotion, memory, and connection to place.
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Develop visual storytelling skills through hands-on artmaking.
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Reflect on their personal connection to Country, place, or memory through visual and verbal expression.
Sucess Critiera
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I can...
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Describe the importance of weaving in Aboriginal and Torres Strait Islanders cultures.
Use natural and chosen materials thoughtfully in my weaving.
Select colours that represent my feelings or memories of a special place.
Explain how my artwork connects to a place that is meaningful to me.
Respectfully engage with natural environments when collecting materials.
Weaving Terminology
Loom
The structure or frame you use to create your woven work
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Warp
The taut (very tight with no slack) vertical threads held in place on the loom that form the foundation
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Weft
The threads that pass over and under the Warp threds
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(The Weaving Loom, 2015) https://www.theweavingloom.com/warp-weft/
So what is Weaving ?
Weaving is a way of creating fabric or patterns by interlacing two sets of fibres or threads, usually by going over and under in a repeated pattern. People have been weaving for thousands of years across many cultures, using it to make things like baskets, mats, bags, nets, and clothing.
In Aboriginal and Torres Strait Islander cultures, weaving is a practical skill; it’s also a way of passing on knowledge, connecting to Country, and telling stories. Each material, pattern, and technique often carries meaning and links to Country, place, animals, or ancestors.​ First Nations Australians have used weaving for tens of thousands of years, using local plants like pandanus, grass, or bark. Each region has different techniques and designs. Today, weaving is still a strong cultural practice, it’s used for ceremony, community, and art.
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(Charles Sturt University, 2020; SBS, 2024; SeaWeek Australia, 2024)
Questions worksheet
1.What are some natural materials used by Aboriginal and Torres Strait Islander peoples for weaving?
2.Why is weaving important in Aboriginal and Torres Strait Islander cultures?
3.How do people learn to weave in the communities shown in the videos?
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4.What kinds of things are made using weaving?
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5.How do the people describe how weaving connects them to Country and family?
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Extension: Draw a quick sketch of a woven object you found interesting from one of the videos. What colours or shapes stood out to you?
Making Activity
Materials​​
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Collected Branches
Optional: Collected natural materials
Raffia, twine, wool, recycled fabric strips
Scissors
Sketchbooks or journals for planning and reflection
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Pencils/pens
Pair & share or Record in jounrals
​​​​​​​​​Think about somewhere where you feel connected to Country or a place that holds meaning or memory for you. Think of a story about a time you spent here.
This could be:
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A bushwalk or hike
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Swimming at the beach
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Your grandparents’ house
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Or simply somewhere you feel calm, happy, or at peace
Close your eyes and picture this place.
Ask yourself:
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What does it look like?
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What can you smell there?
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How do you feel?
Now think about the colours you associate with this place.
Is it bright and warm?
Is it earthy and quiet?
Are there specific colours in the trees, sand, water, buildings, or sky?
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Use those colours in your weaving to represent the place or the feeling.
For example:
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If your special place or connection to Country is the beach, you might use blues and yellows to reflect water and sand. If it makes you feel happy and warm, you might use reds, oranges, and golds—even if that’s not what the place looks like.
If you’re unsure, use our nature walk at school as your place of connection.
Pay attention to the colours, shapes, and feelings you experience while collecting your weaving materials.
Your woven artwork will be accompanied by a short explanation (written or verbal) describing your connection to this place and how you represented it through your chosen colours and materials.
There are lots of different ways you can choose to form your Loom!​​​​​​​​​​​​​
Tightly tie two sticks together to form an X

(Stocker, 2014)
Use a branch with a V shape

(Elyse, 2015)
​Tightly tie four sticks together to form a square

(Linnemann, 2021)
Think about what loom you will use and keep this in mind on our walk so you can collect the branch(es) you will need.
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You can collect other items to go in your weaving, like gumnuts, leaves or feathers If they support your connection to Country/place.
BEFORE WE GO
You must be respectful of the Land
Do not break or harm living things
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Do not swing branches/sticks around
Under no circumstances are you to touch/poke/hit anyone with a branch or anything else
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Do not run
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Do not distract other classes
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If you do not follow the rules, there will be consequences.
Nature walk time!
Demonstration
watch from 00:38 to 03:25
Get Making


https://brisbanekids.com.au/nature-craft-teach-your-child-to-branch-weave-in-5-easy-steps/​Brisbane Kids
made by a young child





MissPearlArtEducation, 2025
With your finished work, provide a short explanation (written or verbal) describing your connection to this place and how you represented it through your chosen colours and materials.
For Teachers
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Teachers can use this rubric to assess students' learning. I would use it in conjunction with asking students for their feedback on the task.
Resource
The "resource" I have selected to be used alongside this learning experience to enhance student learning is links to First Nations led weaving workshops and/or contacts to local First Nations education leaders.
The Ngumpie weaving site offers First Nations led weaving workshops as school incursions. Teaching traditional weaving techniques as well as the cultural and historical connections. Ngumpie weaving also has an online workshop, accompanied by traditional weaving starter packs that can be mailed out. An option that could be useful for schools that are not local to the program.
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https://ngumpieweaving.com/pages/workshops
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Tjanpi Desert weavers offer traditional weaving starter packs that could be purchased by schools regardless of location. The starter packs are designed to be used in conjunction with their online video tutorial and PDF that are free of charge.
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https://tjanpi.com.au/pages/weaving-tutorial
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Because not all schools' locations and/or budgets would allow them to interact with these particular workshops, I've also included links that help teachers and schools in NSW and VIC connect to local Indigenous education leaders. Here, teachers or schools could potentially find a local workshop or be suggested something similar from Indigenous education leaders that could enhance this learning experience by providing first-hand cultural teaching.
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https://www.vic.gov.au/koorie-education-coordinator-contact-details
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These resources have been chosen because connecting students to firsthand accounts of this cultural practice will deepen their learning. By offering authentic, lived cultural knowledge and placing First Nations voices at the centre of the experience, students are able to learn directly from Aboriginal and Torres Strait Islander people. This approach shows respect for cultural ownership and extends learning beyond the classroom.​ It also aligns with the 8ways pedagogy: Community Links.


Refrences
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8 Ways Aboriginal Pedagogy. (n.d.). 8ways: Aboriginal pedagogy framework. New South Wales Department of Education. https://8ways.online/
ABC Australia. (2018). We can, we do: Eileen Alberts – Passing On The Craft [Video]. YouTube. https://www.youtube.com/watch?v=orgTp4Sljbc
Australian Curriculum, Assessment and Reporting Authority. (2024). Cross-curriculum priorities. Australian Curriculum, Version 9.0. https://v9.australiancurriculum.edu.au/f-10-curriculum/cross-curriculum-priorities
Australian Curriculum, Assessment and Reporting Authority. (2024). F–10 curriculum: Visual Arts – Years 7–8. https://v9.australiancurriculum.edu.au/f-10-curriculum/learning-areas/visual-arts/year-7_year-8
Australian Curriculum, Assessment and Reporting Authority. (2024). General capabilities. Australian Curriculum, Version 9.0. https://v9.australiancurriculum.edu.au/f-10-curriculum/general-capabilities
Australian Institute for Teaching and School Leadership. (n.d.). Australian professional standards for teachers. Retrieved April 8, 2025, from https://www.aitsl.edu.au/standards
Blaha Cripe, E. (2014, September). Branch weaving [Photograph]. enJOY it. https://eliseblaha.typepad.com/.a/6a00d8341c71c353ef01b8d06284b6970c-500wi
Carberry Pasquan, M. (2020, June 4). Y Stick Weaving [Video]. YouTube. https://www.youtube.com/watch?v=baMw3ek3bik​YouTube
Charles Sturt University. (2020). NAIDOC Week – The Art of Traditional Weaving [Video]. YouTube. https://www.youtube.com/watch?v=LkHBdh3AGpk
Churchill, R. (2021). Teaching: Making a difference, 5th edition. John Wiley & Sons, Incorporated.
CRAFTYMELA. (n.d.). Diy Craft [Video] [Video]. Pinterest. https://au.pinterest.com/pin/68745020171/
Education Council. (2019). Alice Springs (Mparntwe) Education Declaration. Australian Government Department of Education, Skills and Employment. https://www.education.gov.au/alice-springs-mparntwe-education-declaration/resources/alice-springs-mparntwe-education-declaration
Elyse, K. (2015). [Photograph of a weaving artwork]. Tumblr. https://64.media.tumblr.com/958366b535a5c3111a664978c52b1b80/tumblr_inline_p8iflplQbu1rnjlys_500.png
Erika Gunter. (n.d.). [Description of image] [Photograph]. Pinterest. https://i.pinimg.com/736x/1f/d0/f3/1fd0f3ce79d5f10036e05af72ad19c29.jpg
Hope, D. (2024). Branch weaving [Photograph]. Mud & Bloom. https://www.mudandbloom.com/blog/branch-weaving
Linnemann, C. (2021, August 12). Plant crafts: Nature weaving wall hanging project [Photograph]. Celia Linnemann. https://celialinnemann.com/2021/08/12/plant-crafts-nature-weaving-wall-hanging-project/
Macleod, I. (2024). Rosemary nature weaving [Photograph]. Facebook. https://www.facebook.com/islamacleodceremonies/posts/804758375025286/?comment_id=913003670833782
Newman, D. (2015). Weaving with nature [Photograph]. Brisbane Kids. https://brisbanekids.com.au/nature-craft-teach-your-child-to-branch-weave-in-5-easy-steps/​Brisbane Kids
SBS. (2024). What is the cultural significance of First Nations weaving? [Audio podcast episode]. SBS Audio. https://www.sbs.com.au/language/english/en/podcast-episode/what-is-the-cultural-significance-of-first-nations-weaving/ey5wv6fm3
SeaWeek Australia. (2024). Noongar Reed Weaving – AAEEWA Learning Video [Video]. YouTube. https://www.youtube.com/watch?v=EqlfEGR9ReU​YouTube+1YouTube+1
Stocker, B. (2014, July). Ojo de Dios yarn weaving [Photograph]. Wise Craft Handmade. https://wisecrafthandmade.com/wp-content/uploads/2014/07/ojotopimage.jpg
The Weaving Loom. (2015). Warp & weft [Photograph]. https://www.theweavingloom.com/warp-weft/
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Unknown Author. (n.d.). [Square loom nature weaving] [Photograph]. Pinterest. https://i.pinimg.com/736x/1d/ce/c8/1dcec80214b308646ab8f54a7111cc0e.jpg
Victoria State Government Education and Training. (2022). High impact teaching strategies (HITS). https://www.education.vic.gov.au/school/teachers/teachingresources/practice/improve/Pages/hits.aspx
Yunkaporta, T. (2009). Aboriginal pedagogies at the cultural interface [Doctoral thesis, James Cook University]. ResearchOnline@JCU. https://doi.org/10.25903/qw6q-2h64